Bina

Letebele’s artwork delves into the exploration of memory and time, presenting a profound examination of indigenous knowledge systems. Through the development of a sophisticated visual language, he has constructed a unique system and alphabet that encapsulate the essence of movement, archiving, self-identity, and self-preservation. The materials he works with are chosen specifically as he believes that developing his own mixed media best captures the essence and consistency of his subject matter.

By mixing various water-based compounds and adhesives and applying them to medium-density fiberboard, the materials allow the artist to reimagine calligraphy in an innovative way that is texturally rich and tactile. The artist wanted to elevate his calligraphy script from the traditional flat 2D plane into a contemporary 3D plane.

This third dimension presents a sculptural form that also enhances the materiality within the artworks.  Drawing inspiration from his Tswana heritage, the artist leverages the rich cultural backdrop to provide a contextual framework for the deep conceptual foundations that shape his artistic expression. At the core of his work lies the creation of a distinctive visual calligraphy script, serving as a visual lexicon proposition for Azania—a protest name for South Africa.

By utilising the power of symbolism and aesthetics, he seeks to transcend cultural boundaries and foster dialogue about the complexities of our shared human experience. In essence, his artistic practice serves as a conduit for cultural exploration, aiming to inspire a renewed appreciation for indigenous knowledge and a deeper understanding of our interconnectedness as inhabitants of this ever-evolving world.